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Kinodoktor – Qualitätsmanagement

Ihr möchtet euer Kino mit professioneller Unterstützung weiterentwickeln? Einen frischen Blick auf eure Marketingkampagne wagen oder die Abläufe innerhalb des Teams optimieren? Das Kinodoktor-Team aus erfahrenen und geschulten Kinomacher*innen berät euren Betrieb vor Ort oder online.

Hier gehts zur Webseite!

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Neue Projektleitung bei Cinéfête

Ab dem 1. März 2026 übernimmt Susanne Mohr die Leitung des Projektes Cinéfête. Sie folgt damit auf Timo Löhndorf, der die Schulfilmreihe in den vergangenen 6 Jahren betreut hat und sich auf eigenen Wunsch anderen Aufgaben widmet.

Susanne Mohr ist ab sofort über mohr@agkino.de und 030 439 7101 42 für alle Cinéfête-Themen zu erreichen.

 

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Gilde Filmpreise zur Berlinale 2026 verliehen

Zum 36. Mal zeichnete der Arthouse-Kinoverband AG Kino – Gilde e.V. den aus Sicht der Jury besten Film im internationalen Wettbewerb der Berlinale mit dem Gilde Filmpreis (GELBE BRIEFE von Ilker Çatak) aus. Bereits zum 6. Mal zeichneten zudem junge Kinomacherinnen aus der AG Kino – Gilde in der Jury ‚Cinema Vision 14plus‘ ihren Favoritenfilm in der Sektion Generation 14plus (WHAT WILL I BECOME? von Lexie Bean und Logan Rozos) aus.

Programmkino.de: Gilde Filmpreise zur Berlinale 2026 verliehen

 

Onlytaboocom Link Apr 2026

Marta thought of the violinist—the way their song rose and fell like a quiet tide. She walked to the bench the next afternoon with her fountain pen in her pocket, an object that proved nothing. The violinist played Bach. The busker looked up when she sat and smiled without recognition. Marta stayed and listened until the song landed somewhere low and steady.

They spoke as people do when the surface finally gives way—the conversation awkward, then startlingly honest. The woman across from her admitted the borrowed manuscript had been a lifeline; she had been starving for someone else’s voice to remind her of what she could do. Marta told her about the lie that had kept her brother safe. Neither sought absolution, only the small, honest recognition that each had carried something unnecessary for too long.

The page opened to a single line: Welcome. One click below it read: Tell me your taboo. Marta hesitated, then typed, I once lied to protect my brother. The cursor blinked. The site replied instantly.

Years later, the link in her manager read OnlyTaboo.com—stored like a pen in a drawer. She thought about the people she’d met because of a single anonymous line of text: the woman with the green scarf, the coin-returner, the busker who played Bach. She thought about the rule they all followed without being forced: say what you must, but do not use the truth to hurt. onlytaboocom link

The site had never promised absolution—only a place to move weight around until it felt manageable. Marta closed her browser and, without thinking, wrote a new entry: I regret letting a good thing go because I was afraid to say I wanted it. She clicked Cast.

That evening OnlyTaboo pinged with a message: The author of the bench confession will be at the river this Saturday at noon with a coin to return. Meet if you want. Marta wrote back Yes.

Marta imagined vaults and keys, but she’d grown tired of secret weight. She chose cast. The screen rippled like water. Words flowed out of the box in a narrow river of text and gathered into a voice speaking directly to her. Marta thought of the violinist—the way their song

A slow reply typed itself across the screen: Then ask for it now.

Marta stayed long enough to read four other entries—two lines, a paragraph, a half-page—fragments of lives: a woman who never called her dying mother, a teacher who’d marked down the wrong student on purpose, a man who’d kept a secret child’s name in his wallet for ten years. The entries were not dramatic; they were the small betrayals and compassionate cruelties that made people human. For each, the site offered one action: Lock (reclaim), Cast (share), or Mend (compose a reply).

The site suggested Mend, but Marta couldn’t. Instead she cast a story: the memory of her brother teaching her to tie a shoelace when she was five, a tiny, patient ritual that had nothing to do with theft but everything to do with gentleness. The confession’s author wrote: I could sit by that bench and listen. The river of text folded into itself and, after a pause, offered a new sentence: Forgiveness is a practice. Would you like to practice with someone? The busker looked up when she sat and

Curiosity pushed her to click.

Once, someone found a way to monetize the concept—an app promising accountability, with name verification and legal disclaimers. It didn’t last. OnlyTaboo’s users voted unanimously to keep anonymity sacrosanct. The site remained a place of constrained honesty: an odd public for private things.